Thursday May 5 @ 10:21pm with 23,978 notes
Thursday May 5 @ 10:16pm with 44,362 notes
floralls:

darjeeling (by hannygb)

floralls:

darjeeling (by hannygb)

Thursday May 5 @ 10:15pm with 2,839 notes

Marilyn Monroe photographed by Sam Shaw, 1957.

Marilyn Monroe photographed by Sam Shaw, 1957.

Thursday May 5 @ 10:13pm with 5,289 notes

designoclock:

An installation of 3000 paint dipped tea bags called Tea Sunburst and is hidden in the back of a little store in town called Rolling Greens

Thursday May 5 @ 10:08pm with 391 notes
Thursday May 5 @ 01:01am with 1,245 notes
Thursday May 5 @ 12:58am with 11,861 notes
Thursday May 5 @ 12:56am with 22 notes
Thursday May 5 @ 12:56am with 34 notes
blua:

Whale Poster

blua:

Whale Poster

Thursday May 5 @ 12:56am with 770 notes
Thursday May 5 @ 12:53am with 21,024 notes
Thursday May 5 @ 12:51am with 33,887 notes

staceythinx:

As a former surfer, Paul Bobko had plenty of time to observe waves of all shapes and forms. It was during this time that he found his inspiration for his series Water Landscapes-Suspended Energy. 

About the project:

In his magnum opus, Gravity’s Rainbow, Thomas Pynchon introduces us to the German concept of Brenschluss in the telemetry of the flight of the V2 rocket. The rocket is propelled by its engines and travels along its parabolic arc. At a certain point the engines turn off, this flameout is called brenschluss. At brenschluss the rocket’s ascendancy is checked by gravity, and before it begins to fall to its target on earth, it hesitates for just a moment. After this moment gravity and momentum alone, not a rocket engine, define the inexorable trajectory of descent to its inevitable, calamitous end.

So to do Paul Bobko’s Water Landscapes-Suspended Energy photographs allow us to see that very moment of hesitation when the force of nature that is the ocean wave, ceases to be propelled by the surging forces of the ocean floor. The ocean suddenly lets go and sets it free, it hesitates at this moment of release, then crashes on the shore, liberated, but spent. Bobko shows us this very moment of hesitation, before the explosion. The outline of the explosion is clear and coming, but it hasn’t happened yet, it is, as yet, prelude…the power is still coiled in the curl, frozen for this second. Light comes glowing through that watery tunnel, foam is leaping from its crest, escaping and ecstatic. The menace is limned in the terrifying flexing of its form. It is most exhilarating to see the noun become the verb.

Wednesday May 5 @ 12:10am with 7,606 notes
Wednesday May 5 @ 12:08am with 107 notes
Wednesday May 5 @ 12:08am with 1,477 notes